![]() ![]() The other members of the quartet were furious because if he had left, they would have found it very difficult to find and rehearse a replacement player in time for the new season. He was offered the post of principal second violin, but refused it at that time. In May 1927, without telling the others, Pogany traveled to Cincinnati to see his friend conductor Fritz Reiner about a job in the symphony orchestra there. In 1925 the quartet debuted in London and signed a recording contract with His Master's Voice, making recordings at His Master's Voice Studio B at Hayes and the Queen's Small Hall. In 1921 or 1922, owing to political unrest in Budapest, the quartet moved to Berlin where the group developed a large repertoire but received only mixed reviews. His date and place of death remain unknown. He then relocated to Amsterdam until 1951, and thereafter returned to Paris. When the Nazis came to power, Indig fled to Paris where he led another quartet for a while. After resigning, Indig became a soloist with the Amsterdam Concertgebouw Orchestra and 1931 he became concertmaster of the Berlin Philharmonic. In 1920, Indig resigned in the hope of advancement he was replaced by Imre Pogany, a native of Budapest who had studied under Hubay and Zoltán Kodály. The original members were Emil Hauser, aged 24, from Budapest Alfred Indig, 25, from Hungary István Ipolyi, 31, from Újvidék in Hungary and Harry Son from Rotterdam, in the Netherlands. If he was replaced, his successor would inherit his voting rights. His initials would be written on the music, and he would always have the extra vote for that piece. Much later, in July 1930, the current members added another rule to resolve tied votes: One player, chosen by lot, would have a deciding vote. No previous quartet had attempted to live entirely on the proceeds of its concerts.
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